Aerosmith has been topping the Billboard
charts since 1976. Because of that, they have a new title next to their names, thanks to their latest record, One More Time, with Yungblood.
The band is only one of five musical acts to have had a top 10 new record on the Billboard 200 chart in the ’70s, ’80s, ’90s, ’00s, ’10s, and ’20s.
Here are there records that got them the record, according to Billboard, “Aerosmith notched its first top 10 on the Billboard 200 in 1976 (and only top 10 of the ‘70s) with Rocks (peaking at No. 3). The band then scored one top 10 in the ‘80s (1989’s No. 5-peaking Pump), three in the ‘90s (Get a Grip, No. 1; Big Ones, No. 6 and Nine Lives, No. 1), three in the 2000s (Just Push Play, No. 2; O, Yeah! Ultimate Aerosmith Hits, No. 2 and Honkin’ On Bobo, No. 5), one in the ‘10s (Music From Another Dimension!, No. 5) and now one in the ’20s with One More Time.”
They join The Rolling Stones, Paul McCartney, Bruce Springsteen, and James Taylor. How did the latter beat out Cher? We need more music from her!
Congrats to Steven Tyler, the most famous person from my hometown in the last 75 years.
Vanessa Hudgens and her husband, Cole Tucker, have something to be thankful for this Thanksgiving. They recently welcomed their second child.
The new mom posted the above photo and wrote, “Well…. I did it. Had another baby!!! What a wild ride labor is. Big shout out to all the moms. It’s truly incredible what our bodies can do ❤️”
The actress and the former baseball player started dating in 2020 and got married in December 2023. They welcomed a son in July 2024, and they have kept most of his details under wraps.
Ever since Seth Meyers told us about how his first child, Ashe, was almost born in a cab, we have been hearing about his now three children. However, we have not really seen them in action. But that is no longer the case.
The host has an annual tradition where he invites his parents, Lawrence and Hilary, and his brother, Josh, to appear on Late Night on Thanksgiving to be guests on his show.
This year, Meyers changed things up and also had Ashe, 9, Axel, 7, and Adelaide, 4, sitting on the couch with him for their first (and better not be their last) interview.
The three kids were at 30 Rock to take their Christmas Card photos, so the proud dad thought it would be fun to see if they were ready for the Late Night debut, and they all were ready!
So much so that you can tell that they are meant for the spotlight, especially Addie, who stole the show from her brothers.
As cute as they are, the best part of this video is how much you can tell Seth loves his children, and how much they love him and each other. Well, almost everyone, Addie says that she doesn’t love Axel.
How much fun was it to see that Lobby Baby hasn’t stopped causing trouble since the day he was born in the lobby of his parents’ building? He is such a cute little troublemaker and a good dancer.
I don’t want to leave out Ashe, who, you can tell, takes being a big brother very seriously. And he is doing a good job.
He has also been doing a good job as a turkey in the annual Meyers Thanksgiving greeting for 10 years. It used to be just him and Fribee (the late Meyers family dog), but now the oldest child is joined by siblings! And they are just as delicious as sweet potato pie. To see a decade of Meyers children as turkeys, then click here!
‘Tis the season for people to watch holiday movies on the Hallmark Channel and Lifetime. But after watching a few of them, you need a break from all of that holiday cheer and sweetness.
Well, now you have that palette cleanser with Disney’s Hulu’s Family Guy’s Hallmark Channel’s Lifetime Familiar Holiday Movie.
It is the anti-Christmas movie. As in, it is a parody of all of those films with the same plot. She is a big city, single, career-oriented woman who goes to a small town and meets the perfect single man. Now, she has to decide whether or not to stay with him or go back home.
However, DHFGHCLFHM is not sweet and points out all the make-believe bullshit things that those movies do. And because of that, you will be laughing for 30 minutes straight.
And then when you are done, you can go back to watching those other happy holiday flicks and see how right or wrong the animated sitcom got it.
Then, when you need another break, you can rewatch Family Guy. And continue to repeat this TV viewing schedule until the New Year. That is when we can go back to our regularly scheduled programming.
My only complaint about this special episode is that some of the comparisons are no longer relevant to Hallmark and more accurately portray Great American Family. Because of that, Seth MacFarlane and the writers need to add GAC and Netflix movies to their viewing unpleasure before they start working on the sequel for next year. There has to be a sequel because the first film is so much fun!
Beauty trends come and go, but the work of hairstylist Kenna Kennor sticks because it feels like it could have only come from the folks sitting in his chair. The Scottish-born creative—still happily known in entertainment circles as actress Britt Lower’s husband—has spent two decades translating personal histories into haircuts that look lived-in from day one.
His secret: every style begins with a real-life story, not a Pinterest board. The result is a body of work that slips seamlessly from runways to supermarket aisles without losing an ounce of authenticity.
A Stylist Who Listens Before He Lifts the Shears
Step inside Kennor’s Brooklyn studio, Kennaland, and the playlist goes silent the moment a client starts explaining why they booked the appointment. Kennor watches posture, catches the off-hand jokes about ex-boyfriends or new jobs, and stores those details like reference photos. Only then does he snip. Friends joke that he cuts feelings more than hair, and there’s truth in that.
If a woman says she’s tired of hiding, he’ll open the face with movable layers. If a dad mentions needing fewer decisions in the morning, a quick crop solves that. His reputation for empathetic listening means even shy newcomers leave feeling understood, proof that psychology is as integral to good hair as scissors.
Turning Everyday Textures into Conversation Starters
Where some stylists chase chemically perfect finishes, Kennor insists the best texture is the one nature handed you after a shower. His British apprenticeship drilled technical precision, but Brooklyn taught him that rogue curls and cowlicks carry personality. Instead of ironing them flat, he highlights their rhythm with strategic razor work, feather-light product, and a photographer’s eye for daylight bounce.
Images of his clients laughing in taxi windows often trend on social feeds precisely because the hair looks like it belongs to a breathing person, not a mannequin head. Kennor calls it “honest beauty”—a phrase his regulars now repeat whenever someone compliments their seemingly effortless waves, then ask how to bottle the confidence it sparks in strangers.
Storytelling on Set and at Home
Beyond the salon, Kennor’s knack for translating narrative into visual texture makes him a favorite on film sets. While working on independent feature Circus Person, he designed character arcs through subtle shifts in fringe and color; his contributions earn a quiet credit among the crew notes. Directors appreciate that he reads scripts cover to cover, storyboarding hair changes like emotional time-lapses rather than tick-box makeovers.
At home, he approaches family life with the same narrative lens. When Lower prepares for a red-carpet premiere, he asks what emotion her role leaves lingering in her bones, then builds a style to extend that feeling. On ordinary Sundays, he lets their toddler’s curls roam free because, he says, “kids are already telling big stories—I just try not to edit them.”
Brooklyn Lessons from a British Heart
Moving from London to New York could have pushed Kennor toward trend chasing, yet the opposite happened. The borough’s patchwork of cultures reminded him of Glaswegian barbers who knew every regular’s football allegiance. He reclaimed that neighborhood spirit by hosting monthly open-studio nights where musicians play, painters sketch, and locals swap thrifted jackets.
Those gatherings prove that beauty grows in the overlap between art forms; a brush stroke might inspire a copper balayage, while a sax riff decides the swing of bangs. Kennor’s accent still surfaces on certain vowels, but the values he preaches—community, craft, humility—translate in any postcode.
Quiet Mentorship that Echoes Loudly
Kennor rarely posts tutorials because he prefers teaching in the messy real world. Interns learn to pack color bowls while balancing chat with clients about breakups and job interviews. He reminds them that a trim can feel as intimate as a therapy session and that every head holds a biography. He also schedules quarterly “show-your-mistakes” nights, where young stylists present disasters and talk through fixes, normalizing failure as part of mastery.
Many protégés now lead their own salons, but they text him before big decisions, proof that calm guidance outlasts social-media stardom. Even Lower jokes that her husband’s legacy won’t be a single iconic haircut; it will be the generation of stylists who think of hair as a storytelling medium first, fashion statement second.
