Seriously? OMG! WTF?

Best Picture

* “Avatar” James Cameron and Jon Landau, Producers
* “The Blind Side” Nominees to be determined
* “District 9” Peter Jackson and Carolynne Cunningham, Producers
* “An Education” Finola Dwyer and Amanda Posey, Producers
* “The Hurt Locker” Nominees to be determined
* “Inglourious Basterds” Lawrence Bender, Producer
* “Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
* “A Serious Man” Joel Coen and Ethan Coen, Producers
* “Up” Jonas Rivera, Producer
* “Up in the Air” Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers

Actor in a Leading Role

* Jeff Bridges in “Crazy Heart”
* George Clooney in “Up in the Air”
* Colin Firth in “A Single Man”
* Morgan Freeman in “Invictus”
* Jeremy Renner in “The Hurt Locker”

Actor in a Supporting Role

* Matt Damon in “Invictus”
* Woody Harrelson in “The Messenger”
* Christopher Plummer in “The Last Station”
* Stanley Tucci in “The Lovely Bones”
* Christoph Waltz in “Inglourious Basterds”

Actress in a Leading Role

* Sandra Bullock in “The Blind Side”
* Helen Mirren in “The Last Station”
* Carey Mulligan in “An Education”
* Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
* Meryl Streep in “Julie & Julia”

Actress in a Supporting Role

* Penélope Cruz in “Nine”
* Vera Farmiga in “Up in the Air”
* Maggie Gyllenhaal in “Crazy Heart”
* Anna Kendrick in “Up in the Air”
* Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”

Directing

* “Avatar” James Cameron
* “The Hurt Locker” Kathryn Bigelow
* “Inglourious Basterds” Quentin Tarantino
* “Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels
* “Up in the Air” Jason Reitman

Writing (Adapted Screenplay)

* “District 9” Written by Neill Blomkamp and Terri Tatchell
* “An Education” Screenplay by Nick Hornby
* “In the Loop” Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
* “Precious: Based on the Novel ‘Push’ by Sapphire” Screenplay by Geoffrey Fletcher
* “Up in the Air” Screenplay by Jason Reitman and Sheldon Turner

Writing (Original Screenplay)

* “The Hurt Locker” Written by Mark Boal
* “Inglourious Basterds” Written by Quentin Tarantino
* “The Messenger” Written by Alessandro Camon & Oren Moverman
* “A Serious Man” Written by Joel Coen & Ethan Coen
* “Up” Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy

Animated Feature Film

* “Coraline” Henry Selick
* “Fantastic Mr. Fox” Wes Anderson
* “The Princess and the Frog” John Musker and Ron Clements
* “The Secret of Kells” Tomm Moore
* “Up” Pete Docter

Art Direction

* “Avatar” Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
* “The Imaginarium of Doctor Parnassus” Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
* “Nine” Art Direction: John Myhre; Set Decoration: Gordon Sim
* “Sherlock Holmes” Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
* “The Young Victoria” Art Direction: Patrice Vermette; Set Decoration: Maggie Gray

Cinematography

* “Avatar” Mauro Fiore
* “Harry Potter and the Half-Blood Prince” Bruno Delbonnel
* “The Hurt Locker” Barry Ackroyd
* “Inglourious Basterds” Robert Richardson
* “The White Ribbon” Christian Berger

Costume Design

* “Bright Star” Janet Patterson
* “Coco before Chanel” Catherine Leterrier
* “The Imaginarium of Doctor Parnassus” Monique Prudhomme
* “Nine” Colleen Atwood
* “The Young Victoria” Sandy Powell

Documentary (Feature)

* “Burma VJ” Anders Østergaard and Lise Lense-Møller
* “The Cove” Nominees to be determined
* “Food, Inc.” Robert Kenner and Elise Pearlstein
* “The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
* “Which Way Home” Rebecca Cammisa

Documentary (Short Subject)

* “China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
* “The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
* “The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
* “Music by Prudence” Roger Ross Williams and Elinor Burkett
* “Rabbit à la Berlin” Bartek Konopka and Anna Wydra

Film Editing

* “Avatar” Stephen Rivkin, John Refoua and James Cameron
* “District 9” Julian Clarke
* “The Hurt Locker” Bob Murawski and Chris Innis
* “Inglourious Basterds” Sally Menke
* “Precious: Based on the Novel ‘Push’ by Sapphire” Joe Klotz

Foreign Language Film

* “Ajami” Israel
* “El Secreto de Sus Ojos” Argentina
* “The Milk of Sorrow” Peru
* “Un Prophète” France
* “The White Ribbon” Germany

Makeup

* “Il Divo” Aldo Signoretti and Vittorio Sodano
* “Star Trek” Barney Burman, Mindy Hall and Joel Harlow
* “The Young Victoria” Jon Henry Gordon and Jenny Shircore

Music (Original Score)

* “Avatar” James Horner
* “Fantastic Mr. Fox” Alexandre Desplat
* “The Hurt Locker” Marco Beltrami and Buck Sanders
* “Sherlock Holmes” Hans Zimmer
* “Up” Michael Giacchino

Music (Original Song)

* “Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
* “Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
* “Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
* “Take It All” from “Nine” Music and Lyric by Maury Yeston
* “The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett

Short Film (Animated)

* “French Roast” Fabrice O. Joubert
* “Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
* “The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
* “Logorama” Nicolas Schmerkin
* “A Matter of Loaf and Death” Nick Park

Short Film (Live Action)

* “The Door” Juanita Wilson and James Flynn
* “Instead of Abracadabra” Patrik Eklund and Mathias Fjellström
* “Kavi” Gregg Helvey
* “Miracle Fish” Luke Doolan and Drew Bailey
* “The New Tenants” Joachim Back and Tivi Magnusson

Sound Editing

* “Avatar” Christopher Boyes and Gwendolyn Yates Whittle
* “The Hurt Locker” Paul N.J. Ottosson
* “Inglourious Basterds” Wylie Stateman
* “Star Trek” Mark Stoeckinger and Alan Rankin
* “Up” Michael Silvers and Tom Myers

Sound Mixing

* “Avatar” Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
* “The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
* “Inglourious Basterds” Michael Minkler, Tony Lamberti and Mark Ulano
* “Star Trek” Anna Behlmer, Andy Nelson and Peter J. Devlin
* “Transformers: Revenge of the Fallen” Greg P. Russell, Gary Summers and Geoffrey Patterson

Visual Effects

* “Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
* “District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
* “Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton

UPDATE: The Oscar hosts are Complicated! Well at least the DVD for the movie that Steve Martin and Alec Baldwin will be promoting when they host The Academy Awards is called It’s Complicated. The stars of the film that comes out on Christmas Day were asked to host the Oscars together and unlike Ben Stiller, Robert Downey Jr and Hugh Jackman they said yes. I don’t know how I feel about this because I was thoroughly unimpressed with Steve Martin when he had the title last time he did it and I have yet to see Alec Baldwin hosting anything to know if he will be any good. Well Saturday Night Live will probably disagree with me because the two of them are fighting for the title most times hosting the show that Steve is currently winning. I wonder if they will both go up a notch because SNL will have them host one more time before they do the Oscars just to test out the waters.
I wonder if this means that It’s Complicated will get the pair nominations for their movies because without the movie coming out on Christmas it almost seems like one of them will def get a nom for it. But how can you nominate one host without the other? Afterall that is what the Emmys does with the presenters on the day of noms, whomever presents gets a nom.
So what do you think of Alec Baldwin and Steve Martin hosting the Oscars?

UPDATE 2: So it just me hit, what will they do if their movie bombs? Is that a sign that the movie goers, that the MPAA ignores, don’t like their choice for the Oscars hosts? Plus will the two be man enough to make fun of their latest box office failure. Sorry Meryl Streep I hate to put you in that mix, but the MPAA left me no other choice.

(photo from WireImage)

Voters will be asked to rank their preference from 1 to 10, with 1 being best.
It’s the same preferential voting system that the Academy of Motion Picture Arts and Sciences uses in its nominating process, but it hasn’t been used in best picture voting since 1945, two years after the field was narrowed to five from 10.
The Academy has opted to use the preferential system in the best picture race because it realized that with a field of 10 nominees, a winner could emerge with just slightly more than 580 votes out of the potential voting pool of 5,800 members. The preferential system is designed to measure depth of support, since second- and third-place choices can be just as important as first-place choices.
Under the system, ballots are first separated according to first-place choices. If one film wins a majority among all first-place votes, it’s the winner.
If not, the film with the fewest number of first-place votes is eliminated and those ballots are redistributed according to their second-place rankings. The process continues until one film has picked up a majority of votes.

That makes no sense to me, kind of like having 10 movies vying for the biggest prize in Hollywood and most of the films that have won that statuette in recent years.

The governors approved the Music Branch Executive Committee recommendation that if no song achieves a minimum average score of 8.25 in the nominations voting, there be no original song nominees and thus no Oscar presented for the category. If only one song achieves the required minimum, it and the song with the next highest score will be deemed the nominees. If two or more songs achieve the minimum score, they will be the nominees though no more than five nominees can be selected. Previously, the rules dictated that there be no more than five but no fewer than three nominees in the category.

C’mon one of the best parts of the boring show is when they perform the Best Song noms. Who doesn’t love that part of the show besides AMPAS and the studios? Thankfully Randy Newman got his Oscar before the Academy cut his category out.
But one thing he will never be able to receive (if he were honored) during the Oscars would be one of the Lifetime Achievement awards that used to be handed out during the telecast because they are cutting those from the ceremony. In fact they are getting their own ceremony which probably won’t air on any major station.

The Board of Governors of the Academy of Motion Picture Arts and Sciences has voted to establish a new annual event at which it will present its testimonial awards – the Irving G. Thalberg Memorial Award, the Jean Hersholt Humanitarian Award and the Honorary Award. Honorees will be selected and announced in September and presented their awards at a celebratory dinner event in November. They will also be acknowledged at the year’s Academy Awards ceremony.

So now the Academy is saying that all these people that have worked a lifetime to win this achievement are not worth broadcast time. Nice.
Hey AMPAS instead of cutting the best stuff from the show by adding 5 movies to the Best Picture category, why don’t you cut out those stupid montages and dance interpretation numbers that are waste of time. Oh and head of AMPAS (whomever the new one is) I don’t care what you have to say, why don’t save you speech for the dinner for the Lifetime Achievement winners in November. Maybe there they want to hear your boring speech. I just want to know who won, what they were wearing, what songs were nominated for Best Song and a good opening number! Give me all of that and I will be watching! Oh that and movies I actually I want to see getting nominated for a change.

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